Falling behind again! Things have been hectic lately – working on a documentary which has turned out to be bigger than expected and is now way overdue, plus starting a new project with a tight deadline, I haven’t had a lot of time to write down notes on what I’ve been watching the past couple […]
For several years now, there have been dire predictions of the inevitable demise of movies on disk. In a world rapidly assigning more reality to the digital “cloud” than to actual physical objects, disks are supposedly quaintly old-fashioned. People, we are told, want instant access to everything on whatever device they happen to have closest […]
I’ve been a fan of Shintaro Katsu’s series of films about Zatoichi, the blind swordsman, since I came across Home Vision Entertainment’s DVD editions of the first two, The Tale of Zatoichi and The Tale of Zatoichi Continues (both 1962) many years ago in the video department of Winnipeg’s long-gone A&B Sound. I was grabbed […]
While it’s quite common to like a movie despite its flaws, it’s also possible to appreciate a film in spite of its content. Griffith’s technical achievement can be admired even as we are appalled by the racist politics of Birth of a Nation; we can recognize the visual beauty of Riefenstahl’s use of camera and […]
It’s interesting that Criterion has released Haskell Wexler’s Medium Cool (1969) so soon after Jean Rouch and Edgar Morin’s Chronicle of a Summer (1962). The two films, separated by an ocean, by different cultures and by almost a decade, represent two distinct approaches to the same essential problem: is it possible for film to capture […]
The late ’50s saw the biggest technology-based shift in movies since the coming of sound (the next big shift would be the arrival of digital technology several decades later). New highly portable equipment not only altered the way movies were made, it also altered creative choices and even content. New lightweight cameras and sync sound […]
I usually only have time to write once a week for this blog, and my occasional obligations to Blogcritics (i.e. the free review copies I get through them) have pushed me into the habit of doing reviews more often than more general posts about broader topics (which was what I actually anticipated when I started […]
Criterion’s Eclipse line has three general streams: to explore fringe genres, to introduce work by lesser known filmmakers, to present lesser known works by more familiar directors. The latest release, Masaki Kobayashi Against the System, falls into the third category, presenting three early works by the director of the three-part epic The Human Condition (1959-61, […]
I recently dipped into the French New Wave to watch a few films I’d previously missed – Claude Chabrol’s first two features, Le Beau Serge (1958) and Les Cousins (1959), and Agnes Varda’s Le Bonheur (1965).
Dr Stein (Mike Daneen): Love demands courage. Lisa (Peggy Neal): Yes, that’s the lesson Guilala taught me. Finding myself off work for a day with some nasty kind of flu bug, by a strange coincidence the mailman knocked at my door and delivered the Criterion Eclipse set, When Horror Came to Shochiku. Given my pitiful […]