Indicator’s fifth box set of Hammer movies moves away from the famous horrors to the fringes of the studio’s production, gathering a mediocre contemporary thriller by Michael Carreras and three entertaining historical adventures by John Gilling.
Rough Cut Blog
New restorations of movies from early and late in the career of King Hu reconfirm his influential position in Chinese cinema as a master of martial arts and swordplay films: action and poetry blend seamlessly in Come Drink With Me (1966), The Fate of Lee Khan (1973) and Raining in the Mountain (1979).
While they form one of the main building blocks of society, families are often mysterious when viewed from the outside, providing opportunities for mystery, suspense and horror since we began telling ourselves stories. Outsiders who penetrate the strange membrane between community and family may be faced with codes and rituals which can turn dangerous … as in four recently viewed movies: Curtis Harrington’s Night Tide (1961) and Games (1967), Freddie Francis’ Mumsy, Nanny, Sonny & Girly (1970) and Ted Post’s The Baby (1973).
We tend to feel superior to the styles, attitudes and behaviour of earlier generations, forgetting that we’ll probably look ridiculous to those who come after us. Two Kino Lorber Blu-rays, Julian Roffman’s The Bloody Brood (1959) and Robert Thom’s Cult of the Damned (1969), offer interesting time capsules.
In 1964, Sidney Lumet’s serious movie about nuclear paranoia, Fail-Safe, had a tough time competing with Stanley Kubrick’s manic black comedy Dr. Strangelove, but it holds its own today as a portrait of a particular moment in social and political history. Meanwhile, Franklin Adreon’s pair of no-budget time travel thrillers from 1966, Cyborg 2087 and Dimension 5, are empty-headed entertainment which offer a touch of nostalgia to genre fans.