When you buy more DVDs than you’ll ever have time to watch (one of the hazards of addiction), you end up with large backlogs piled on various shelves, the sight of which tends to nag at you. Sometimes, you can’t help asking yourself why the hell you bought them in the first place, but of […]
At the height of the Cold War official propaganda was aimed at lulling the population into accepting the idea of nuclear war as somehow normal and “manageable”, as depicted in the Central Office of Information short The Hole in the Ground (1962) which shows no-nonsense bureaucrats getting on with the job of “maintaining order” during an attack on Britain.
Not surprisingly, given the amount of time I spend watching movies at home, I came across quite a few worthwhile titles during the year. I’ve already written about many of these in this blog, so will just offer capsule comments here (in no particular order) about ones that I particularly recommend. Dramatic features The World, […]
Since reading Chris Fujiwara’s book about Jacques Tourneur, The Cinema of Nightfall (Johns Hopkins University Press: Baltimore and London, 1998), I’ve been searching out films by the director, particularly ones unconnected with the genres he’s best known for, horror and noir. I recently got hold of a cheap VCI disk featuring a double bill of […]
Dark Of The Sun (Jack Cardiff, 1968) The great cinematographer Jack Cardiff, responsible for the dazzling imagery of Michael Powell’s A Matter of Life and Death (1946), Black Narcissus (1947) and The Red Shoes (1948), and Albert Lewin’s Pandora and the Flying Dutchman (1951), among many others, was also a director. One of my earliest […]
Christopher Smith is an English director whose first feature, Creep (2004), was an attempt to emulate Gary Sherman’s Raw Meat (aka Deathline, 1973) and Douglas Cheek’s C.H.U.D. (1984); it had a woman trapped overnight in the London Underground, pursued by the mutant remnants of some medical experiments in a hidden lab, but it never quite […]
If anything, my viewing seems to be becoming more random these days. I mean to apply some order to what I watch – to view the new Silent Naruse set from Criterion Eclipse, or the Columbia Sam Fuller Collection from two years ago which I recently got hold of – but there are so many […]
One of the real pleasures of the BFI’s Flipside series of DVDs and Blu-Rays is the sheer eclecticism of the choices being made available. The series’ mandate is to present fringe works, movies outside the mainstream. So far, we have gained access to early thrillers by Pete Walker (Man of Violence, The Big Switch); three […]
By coincidence, having recently finally caught up with Robert Young’s Vampire Circus, I’ve just come across a short film he wrote and directed six years later for the British government’s Central Office of Information. Twenty Times More Likely (1978) is a motorcycle safety film included in the BFI’s fourth volume of COI documentaries – Stop! […]
Of the two Scott brothers, I’ve always had a preference for Ridley. No doubt the writers of Cinema Scope would attribute this to my innate middle-brow pretensions, but I’ve never managed to grasp their argument for Tony’s superiority (editor Mark Peranson on Unstoppable: “it is the key Hollywood film of this typically weak quarter, thanks […]