Another random sample of recent viewing, from Ken Russell’s debut feature French Dressing through Andrew Bujalski’s retro-video experiment Computer Chess to David Mackenzie’s Oscar-nominated Hell or High Water.
Viewing notes, March 2017: Part Two
Tag: Comedy
Viewing notes, March 2017: Part One
A round-up of recent Blu-ray viewing, with some classics, an occasional dud, and a few old favourites.
Discovery and loss: Pierre Etaix 1928-2016
The French comic filmmaker Pierre Etaix, whose work spanned the decade of the ’60s only to vanish for 40 years before being rediscovered and restored in 2010, has died at the age of 87.
Viewing notes, September 2016
I’ve recently been dipping into the ’60s and ’70s with two Criterion Blu-rays of major works by Orson Welles, a couple of Robert Altman’s signature titles, and a new J.G. Ballard adaptation from Ben Wheatley.
Sex in Movies: narrative interruptus
Sex runs through the history of the movies as both spectacle and disrupter of narrative; Russ Meyer reveled in it, while Charlie Kaufman finds in sex poignant emotional depths.
Criterion Blu-ray review: Here Comes Mr. Jordan (1941)
A classic romantic comedy about death gets an impressive new release on Blu-ray from Criterion. Alexander Hall’s Here Comes Mr. Jordan (1941) features a witty script and an impressive cast headed by Robert Montgomery, Claude Rains and Evelyn Keyes in the story of a good-natured boxer snatched prematurely by one of Death’s messengers and returned to Earth in the body of a crooked businessman.
The pleasures of transgression
Two recent disks present transgressive sexuality from very different perspectives: Christian Marquand’s Candy is a glossy big budget production packed with star power, while Curt McDowell’s Thundercrack! is a scrappy underground epic.
Recent viewing: April & May 2016
Another eclectic selection from my recent viewing, from an old fondly remembered BBC sci-fi series to an unsettling French psychological thriller, from a nasty John Frankenheimer thriller to a pair of atypical Rossellini features striving to break out of the confines of neorealism.
The art of silent film: Anthony Asquith’s Shooting Stars (1928)
It’s remarkable that it’s still possible to discover a previously unknown yet major film from the silent era, but the BFI’s new release of Anthony Asquith’s first feature, Shooting Stars (1928) is a revelation; a fresh, self-aware film about filmmaking and the intersection of real and imaginary lives.
Criterion Blu-ray review: Whit Stillman’s Barcelona (1994)
Criterion has released a stand-alone Blu-ray edition of Whit Stillman’s Barcelona (1994), the final part of his triptych about young Americans striving to define themselves as they navigate an uncertain world. A romantic comedy with troubling undertones, it deals with the mixture of naivety and arrogance which creates a problematic relationship between the U.S. and other parts of the world.
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