Word of Philip Seymour Hoffman’s untimely (and possibly drug related) death earlier today comes quickly after news of the (more timely) deaths of three European giants. Yesterday, award-winning Austrian actor Maximilian Schell died at age 83 in Innsbruck. The day before, the influential Hungarian filmmaker Miklós Jancsó died at 92, and just over a week […]
A few days ago I spent the evening with four friends at our annual get-together to discuss what we had seen during the past year. Back when I was first invited to join the group years ago, there would often be heated arguments about the particular merits of this or that movie, but we’ve all […]
Even with the tens of thousands of movies released on DVD since the format debuted in the late ’90s, vast amounts of film history remain untouched. Of course, home video has always been a commercial enterprise, the preservation and dissemination of history mostly a by-product. Companies with large back-catalogues of titles have been constantly faced […]
Rapidly developing video technologies are altering not just our expectations but also our responses to the experience of watching movies. Blu-ray, hi-def TVs, the digital technologies which are used more and more in production – all have helped to create particular standards which many viewers now apply to virtually everything they watch. A lot of […]
Christopher Smith is an English director whose first feature, Creep (2004), was an attempt to emulate Gary Sherman’s Raw Meat (aka Deathline, 1973) and Douglas Cheek’s C.H.U.D. (1984); it had a woman trapped overnight in the London Underground, pursued by the mutant remnants of some medical experiments in a hidden lab, but it never quite […]
If anything, my viewing seems to be becoming more random these days. I mean to apply some order to what I watch – to view the new Silent Naruse set from Criterion Eclipse, or the Columbia Sam Fuller Collection from two years ago which I recently got hold of – but there are so many […]
Back in the dark days before DVD, when elitists spent large sums on laserdisks because the quality was so superior to the ubiquitous VHS tapes of home video, the commentary track was born. This was a terrific innovation, enhancing the value of a movie by providing context and opinions from the actual filmmakers or from […]
In their joint commentary track on the Masters of Cinema DVD/Blu-Ray release of the newly restored Metropolis, David Kalat and Jonathan Rosenbaum express some concern that this new version will cause the disappearance of all previous versions. Why should this be a problem? After all, the “restored” Metropolis is the closest we’ll ever get to […]
There is a long, if not necessarily venerable, tradition in the arts of creating confrontational, deliberately offensive work to challenge received ideas and to make people conscious of their own conventional assumptions. When work like this is created, it doesn’t make a lot of sense to get indignant at people who are genuinely offended; in […]
Issues of censorship and freedom of speech are always more complicated than we’d like. It’s never just simply a clear cut question of “this” or “that”. The complete denial that certain elements of pop culture, for instance, can’t possibly do anyone any harm under any circumstances, doesn’t really hold up – of course some people […]