Georges Franju’s remake of Feuillade’s silent serial Judex is a mysterious dream of a movie which evokes the silent era through beautiful surfaces and ephemeral moods.
Criterion offers a strong presentation of Don Siegel’s breakout movie, Riot In Cell Block 11 (1954), a powerful docudrama which avoids all prison movie cliches.
Wanting to make a comedy to end all comedy, in It’s a Mad, Mad, Mad, Mad World, serious-minded Stanley Kramer produced a bloated compendium of comedy styles which stubbornly refused to be funny.
Criterion’s excellent edition of King of the Hill (1993) and The Underneath (1995) throws some interesting light of the development of Steven Soderbergh as a filmmaker.
Elio Petri’s 1970 masterpiece Investigation of a Citizen Above Suspicion provides one of the most incisive dissections of the pathology of power ever committed to film.
The Uninvited (1944) was one of the first American movies to treat the ghost story seriously. Until then, ghosts were either played for comedy, or were deceptions cooked up as part of some criminal scheme, or they were used metaphorically or symbolically. But the idea that the actual spirits of the dead might linger on […]
When approaching 3 Films by Roberto Rossellini Starring Ingrid Bergman, Criterion’s new 5-disk DVD edition of the first three collaborations between the Italian filmmaker and the Hollywood star, it’s difficult not to feel a certain degree of trepidation. These three films, critical and commercial failures at the time of release, now stand as something like […]