When I mentioned to a friend that I was writing these posts about one-off sci-fi movies by mainstream filmmakers, he pointed out that I’d left Norman Jewison off the list. I readily pleaded guilty, my only excuse being that I’d originally made the list off the top of my head and hadn’t bothered to follow […]
I’ve been pretty silent for a few months about my on-going, still-untitled documentary on Winnipeg movie theatres. The reason for that was a massive case of creative block which had me stumped. Faced with the material (28 interviews of various lengths, a slowly accumulating collection of archival and personal photos, a small amount of video […]
Watching Betrand Tavernier’s sombre, moving Death Watch (1980) recently, I started wondering about mainstream filmmakers who tried their hand just once at science fiction. While Tavernier’s film fits in with the humanistic themes which run through his work, was there a similar thematic consistency in other directors’ forays into the genre? Shot mostly on bleak […]
Two years after writing The Wild Bunch (1969), Walon Green teamed up with respected documentary producer David L. Wolper for one of the oddest films ever to win an Academy Award. The Hellstrom Chronicle (1971), although it got the Oscar for best documentary, isn’t actually a documentary at all … or at least it calls […]
Winnipeg may have been put on the cinematic map by the international success of Guy Maddin, and there have occasionally been other interesting home-grown movies – the best feature ever made here, Greg Hanec’s Downtime (1985), is finally getting a DVD release sometime this year – but mostly, production in Winnipeg falls into the “service” […]
I’ve been falling behind on my notes about what I’ve been watching, so I won’t be going into a lot of detail here, just making a few observations about some of the movies I saw in the past month. The Oxford Murders (Álex De La Iglesia, 2008) Spanish director Álex De La Iglesia has a […]
The completist impulse is a key element of the collector’s mentality. For instance, I have forty-nine of Hitchcock’s features on DVD, plus his two Second World War propaganda shorts and season one of Alfred Hitchcock Presents. It’s not that I like all his films – in fact, I know I won’t ever watch some of […]
Mikhail Kalatozov, whose career began in his mid-20s with a number of documentaries, made some of the most interesting films to come out of Soviet Russia. Like most major filmmakers under the communist regimes of the ’30s through the ’60s, he had a rocky relationship with the authorities who controlled filmmaking, at one point even […]
In the American southwest of 1909, an enforcer named Print (Aaron Stielstra) who works for a rancher named Mr. Paul (Montgomery Ford) justifies his work by transforming each killing into a kind of artistic statement. He likes to lecture his victims on the finer points of the meaning of life before finishing them off, then […]
D. A. Pennebaker was one of the founders of direct cinema, working with people like Richard Leacock and the Maysles brothers, Albert and David, to free documentary from the limitations of the voice-of-god narrator and didactic purpose. Their idea was that documentary should merely observe and record events, with no narration to impose interpretation. But […]