Three recent losses

The work of the great English cinematographer Oswald Morris, in both colour and black-and-white, added enormously to the films he worked on. He had a long and fruitful association with John Huston (his work on Moulin Rouge in 1952 pushed the boundaries of what Technicolor was supposed to be able to do), and also shot […]

Blasts from the past

Michael Powell’s A Matter of Life and Death (1946): Criterion Blu-ray review

A DVD Addict In Paris

Ghosts of Television Past, part two

Winter 2024 viewing, part two: Vinegar Syndrome

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