Three recent losses

The work of the great English cinematographer Oswald Morris, in both colour and black-and-white, added enormously to the films he worked on. He had a long and fruitful association with John Huston (his work on Moulin Rouge in 1952 pushed the boundaries of what Technicolor was supposed to be able to do), and also shot […]

Blasts from the past

Recent Documentary Viewing, Part 2

Recent Viewing: the New Wave

The collector’s lament

Criterion Blu-ray review: Wim Wenders’ The Road Trilogy (1974-76)

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