Seeing in the New Year

Baron Samedi (Don Pedro Colley) finds setting zombies on gangsters enormously amusing in Paul Maslansky's Sugar Hill (1974)

This year’s New Year’s Eve movie binge with my friend Steve spanned from ’50s 3D Red Menace sci-fi to ’70s blaxploitation horror to a political thriller about right-wing apocalyptic political paranoia which, while dating from 1972, suggested the atmosphere of the coming 2020 presidential election year.

Year End 2019

Ahmad (Babak Ahmadpour) searches for his friend in an unfamiliar village in Abbas Kiarostami's Where is the Friend's House? (1987)

The usual year-end round-up – not necessarily the best movies or disks, but some of the ones I most enjoyed, from high art to entertaining trash. The sheer range of what’s available should lay to rest any lingering rumours about the demise of physical media.

Random viewing, short takes

Sennia Nanua gives a riveting performance as Melanie, The Girl with All the Gifts (Colm McCarthy, 2016)

A decidedly mixed bag of recent viewing; a pair of young adult zombie stories — the Maze Runner Trilogy (2014-18) and the small-scale The Girl with All the Gifts (2016); a taut ’50s prison escape noir (Crashout, 1955) and a polished new crime noir (Dragged Across Concrete, 2018); a minor, dull thriller (All the Devil’s Men, 2018); and a bloated, enervatingly pretentious remake of a genre classic (Suspiria, 2018).