A decidedly mixed bag of recent viewing; a pair of young adult zombie stories — the Maze Runner Trilogy (2014-18) and the small-scale The Girl with All the Gifts (2016); a taut ’50s prison escape noir (Crashout, 1955) and a polished new crime noir (Dragged Across Concrete, 2018); a minor, dull thriller (All the Devil’s Men, 2018); and a bloated, enervatingly pretentious remake of a genre classic (Suspiria, 2018).
Recently viewed Blu-rays from Severin films include a range of Italian horrors featuring zombies, necrophilia and Lovecraftian gods, a revisionist vampire tale from the golden age of Ozploitation, and an unsettling experimental adaptation of a Lovecraft story from Sweden.
Two Italian classics – Mario Bava’s Kill, Baby … Kill! (1966) and Pupi Avati’s Zeder (1983) – and an imaginative new movie – David Lowery’s A Ghost Story (2017) – offer differing thematic takes on survival after death.
With HMV Canada going bankrupt and closing down, a disk addict gets a couple of months of increasingly cheap deals, leading to some great and some not-so-wise purchases.
Paul W.S. Anderson wraps up his 15-year zombie apocalypse with Resident Evil: The Final Chapter (2016), one of the best episodes in the series, while Yeon Sang-ho’s Train to Busan (2016) scales the zombie heights in style.
Brief comments on a selection of recently watched movies, ranging from classic science fiction to a Danish western, world war two tank combat and Aussie zombies.
Because it’s pretty hard to lose money with a horror movie, it’s been possible for filmmakers to experiment and push boundaries. But it’s a fact which has also produced a lot of laziness in both conception and execution, or at best a rote repetition of overly familiar formulas.
Horror remains one of the most durable of genres, with a constant stream of disk releases of new and classic movies.
A few days after watching Zack Snyder’s dissatisfying remake of Dawn of the Dead (2004), a copy of Howard J. and Jon Ford’s The Dead (2010) arrived from England. This small film made by an English director in West Africa reminded me that I prefer my zombies low budget and slow moving. But why, I […] Read More