I wrap up my recent Vinegar Syndrome binge with surfer dudes tackling zombies, deadly telepaths and a roving musician fighting his way across the desert to vie for the position of King in post-apocalyptic Lost Vegas … but this is not the end as I’ve already received the next batch of releases!
A selection of European genre movies from the 1970s and ’80s ranges from sadistic killers to cannibals to elegant vampires, from bad fashions and electro-pop music to old families sinking into decadence, from masters of exploitation like Sergio Martino, Lucio Fulci, Umberto Lenzi and Ruggero Deodato to the artful Harry Kümel.
Yet another wide range of titles from Arrow Video from a restored silent classic to aliens over Tokyo, woods infested with zombies, food which consumes those who eat it, apocalypse in an alternate future Los Angeles, friendship destroyed by political conflicts, rich people facing the loss of their wealth and a naively admiring time capsule of the U.S. on the brink of the ’60s.
This year’s New Year’s Eve movie binge with my friend Steve spanned from ’50s 3D Red Menace sci-fi to ’70s blaxploitation horror to a political thriller about right-wing apocalyptic political paranoia which, while dating from 1972, suggested the atmosphere of the coming 2020 presidential election year.
A decidedly mixed bag of recent viewing; a pair of young adult zombie stories — the Maze Runner Trilogy (2014-18) and the small-scale The Girl with All the Gifts (2016); a taut ’50s prison escape noir (Crashout, 1955) and a polished new crime noir (Dragged Across Concrete, 2018); a minor, dull thriller (All the Devil’s Men, 2018); and a bloated, enervatingly pretentious remake of a genre classic (Suspiria, 2018).