Indicator’s Blu-ray finally does justice to The 5000 Fingers of Dr. T (1953), Dr. Seuss’ nightmarish musical plunge into childhood anxieties.
The 19th Century French writer Guy de Maupassant had a spare style and an acute understanding of social class and psychology, both characteristics which lend themselves well to cinematic adaptation. Criterion’s Blu-ray edition of Jean Renoir’s A Day in the Country and the older Montparnasse DVD edition of Robert Wise’s Mademoiselle Fifi represent the best of de Maupassant on film.
The great English cinematographer Oswald Morris, whose work in both colour and black-and-white added enormously to the films he worked on. He had a long and fruitful association with John Huston (his work on Moulin Rouge in 1952 pushed the boundaries of what Technicolor was supposed to be able to do), and also shot several […] Read More
While some of the films and plays in the series of disks I wrote about last week, devoted to ghost and horror stories made for British television, reveal the budgetary and technical limitations of their time and medium (low budget sets, somewhat coarse and murky video recording), the BFI has lavished its attention on one […] Read More
While it’s quite common to like a movie despite its flaws, it’s also possible to appreciate a film in spite of its content. Griffith’s achievement can be admired even as we are appalled by the racist politics of Birth of a Nation; we can recognize the visual beauty of Riefenstahl’s use of camera and editing […] Read More
There’s always a slight strangeness to watching a film made by people you know. It’s never an entirely objective experience, but there’s always a real sense of relief when you like the movie. Last week, I caught one of the premiere screenings of Sean Garrity’s Blood Pressure at the Cinematheque here in Winnipeg. I’ve known […] Read More