Two early films from the career of Albert Finney receive excellent releases from Indicator. Finney’s Charlie Bubbles (1968) and Stephen Frears’ Gumshoe (1971) showcase the actor’s strengths and weaknesses.
The enigmatic Albert Finney
Writers
Recent miscellaneous viewing
A random selection of recent viewing, from Nazi propaganda to British Angry Young Men, from classic sci-fi to the 1960s revival of a French criminal mastermind as slapstick pastiche.
Intimidated by Art
Two modest documentaries delve into the compulsion to create and the fraught relationship between creator and creation.
Elia Kazan’s A Face in the Crowd (1957): Criterion Blu-ray review
The Criterion Collection presents a new 4K restoration of Elia Kazan’s best film, A Face in the Crowd (1957). The excellent image showcases two of the finest performances of the 1950s: Andy Griffith in his screen debut as the countryboy-turned-demagogue Lonesome Rhodes and Patricia Neal as the smalltown radio reporter who discovers him and facilitates his rise to national stardom.
British black-and-white fantasies
Two excellent recent Blu-ray releases illuminate different strains of British fantasy. They Came to a City (1944), written by J.B. Priestley and directed by Basil Dearden is a Utopian political fable proposing a new Socialist society for post-war Britain, while Nigel Kneale’s Quatermass and the Pit (1959) spins an epic tale of human evolution and our innate propensity for violence through the story of an ancient spaceship discovered buried beneath London.
Adapting Clive Barker
Clive Barker’s distinctive prose style, while it creates vivid and highly visual stories, is difficult to transform into movies because the themes and meanings of the stories are strangely abstract. While Barker himself has been his own most successful adapter, there have been many attempts to capture his vision on film – some better than others. George Pavlou’s Rawhead Rex (1986) misses the mark, but Bernard Rose’s Candyman almost succeeds but is diverted by moving the story from Liverpool to Chicago.
Indicator Blu-rays, part two: America in the 1970s
Two Blu-ray releases from Indicator represent shifts occurring in American filmmaking at the end of the ’60s, with Don Siegel’s near-perfect heist movie Charley Varrick (1973) quietly trashing all the rules once imposed by the Production Code and Alan Arkin’s directorial debut with Jules Feiffer’s Little Murders (1971) offering an unsettling, blackly comic dissection of the violence at the heart of American society.
Dr. Seuss’ Nightmare: The 5000 Fingers of Dr. T (1953)
Indicator’s Blu-ray finally does justice to The 5000 Fingers of Dr. T (1953), Dr. Seuss’ nightmarish musical plunge into childhood anxieties.
Kelly Reichardt’s Certain Women (2016): Criterion Blu-ray review
Kelly Reichardt’s Certain Women (2016) is a jewel of the art and craft of filmmaking, an intensely emotional and ultimately heartbreaking study of character and landscape.
An evening of Guy de Maupassant on film
www.youtube.com/watch?v=B1HYyVeW-tg”
The 19th Century French writer Guy de Maupassant had a spare style and an acute understanding of social class and psychology, both characteristics which lend themselves well to cinematic adaptation. Criterion’s Blu-ray edition of Jean Renoir’s A Day in the Country and the older Montparnasse DVD edition of Robert Wise’s Mademoiselle Fifi represent the best of de Maupassant on film.
