It’s been a good year for movies on disk, with a remarkable range of releases from many companies which are devoting considerable resources to rediscovering, restoring and preserving movies in numerous genres. Ranging across nationalities and spanning cinema history, there was plenty to divert attention from a real world which has become so depressing and exhausting.
Criterion have just released Andrei Tarkovsky’s most personal Film, Mirror (Zerkalo, 1975), in an exemplary two-disk edition. The 2K restoration supplied by Mosfilm has been supplemented with four-and-a-half hours of new and archival documentaries, including a superb feature-length survey of Tarkovsky’s life and work made by his son, Andrei A. Tarkovsky, in 2019.
Criterion upgrade their bare-bones edition of Larisa Shepitko’s The Ascent (1977) with an extras-packed Blu-ray restoration of this starkly beautiful war film which moves from visceral realism into religious allegory.
Criterion’s Blu-ray edition of Elem Klimov’s searing depiction of war Come and See (1985) is a superb presentation of one of the most emotionally harrowing films ever made.
Another eclectic week – Italian gore from Joe D’Amato, regional American exploitation, a pair of Amicus horrors from director Roy Ward Baker, a documentary about Dark Shadows creator Dan Curtis, and a glorious restoration of the Russian folk-horror Viy.
Criterion’s two-disk Blu-ray release of Sergei Bondarchuk’s War and Peace showcases a restoration of what may well be the most expensive film ever made. Truly epic in scale, this adaptation of Tolstoy’s revered novel balances awe-inspiring spectacle with emotionally charged character drama. The 7+ hour feature is supplemented with three hours of informative new and archival extras.
Criterion’s Blu-ray presents Andrei Tarkovsky’s masterpiece Stalker in a stunning new restoration which does full justice to its rich imagery and subtle soundscape.
Hard to Be a God (2013), the final film of Russian director Aleksei German, more than a decade in the making, is a dense, obscure, visually stunning adaptation of a novel by the Strugatsky brothers. While German’s storytelling is extremely oblique, this depiction of a brutal medieval world which eventually corrupts Earth scientists who have traveled there to study a Renaissance which failed to happen, is realized with such visceral power that the viewer becomes immersed in the filth, madness and horror, occasionally gleaning brief moments of transcendent beauty.
Andrei Konchalovsky’s Runaway Train, although an American production, has a distinctly Russian tone in its mix of action and existential allegory.
In recent years I’ve found myself watching – and liking – movies on disk which I initially had little interest in seeing when they first came out in theatres. Cases in point: the latest films by Ron Howard and the Coen Brothers.