Another eclectic week – Italian gore from Joe D’Amato, regional American exploitation, a pair of Amicus horrors from director Roy Ward Baker, a documentary about Dark Shadows creator Dan Curtis, and a glorious restoration of the Russian folk-horror Viy.
Criterion’s two-disk Blu-ray release of Sergei Bondarchuk’s War and Peace showcases a restoration of what may well be the most expensive film ever made. Truly epic in scale, this adaptation of Tolstoy’s revered novel balances awe-inspiring spectacle with emotionally charged character drama. The 7+ hour feature is supplemented with three hours of informative new and archival extras.
Criterion’s Blu-ray presents Andrei Tarkovsky’s masterpiece Stalker in a stunning new restoration which does full justice to its rich imagery and subtle soundscape.
Hard to Be a God (2013), the final film of Russian director Aleksei German, more than a decade in the making, is a dense, obscure, visually stunning adaptation of a novel by the Strugatsky brothers. While German’s storytelling is extremely oblique, this depiction of a brutal medieval world which eventually corrupts Earth scientists who have traveled there to study a Renaissance which failed to happen, is realized with such visceral power that the viewer becomes immersed in the filth, madness and horror, occasionally gleaning brief moments of transcendent beauty.
Andrei Konchalovsky’s Runaway Train, although an American production, has a distinctly Russian tone in its mix of action and existential allegory.
In recent years I’ve found myself watching – and liking – movies on disk which I initially had little interest in seeing when they first came out in theatres. Cases in point: the latest films by Ron Howard and the Coen Brothers.
Mikhail Kalatozov, whose career began in his mid-20s with a number of documentaries, made some of the most interesting films to come out of Soviet Russia. Like most major filmmakers under the communist regimes of the ’30s through the ’60s, he had a rocky relationship with the authorities who controlled filmmaking, at one point even […] Read More
Criterion’s recent Blu-ray release of Andrei Tarkovsky’s Solaris (1972) spurred me to watch the film again for the first time in almost a decade. I originally saw Solaris in London in 1975, my initial experience of Tarkovsky, and while I now recognize that it’s not his best work, I was enthralled. I’ve always liked films […] Read More
Kenneth George Godwin, Film Editor
I have been editing a wide range of film and video projects, both documentary and drama, for two-and-a-half decades. I started at the Winnipeg Film Group, cutting on Steenbeck 16mm flatbeds, adopted Avid in 1995, and have used FinalCut Pro quite extensively over the past ten years. Projects I have worked on have screened – and won awards – at festivals around the world.read more >>
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