It’s interesting that Criterion has released Haskell Wexler’s Medium Cool (1969) so soon after Jean Rouch and Edgar Morin’s Chronicle of a Summer (1962). The two films, separated by an ocean, by different cultures and by almost a decade, represent two distinct approaches to the same essential problem: is it possible for film to capture […]
D. A. Pennebaker was one of the founders of direct cinema, working with people like Richard Leacock and the Maysles brothers, Albert and David, to free documentary from the limitations of the voice-of-god narrator and didactic purpose. Their idea was that documentary should merely observe and record events, with no narration to impose interpretation. But […]
The latest pair of releases from the BFI’s Flipside series offer a fascinating snapshot of what was happening to the male sense of identity at the height of the feminist impact on filmmaking in the ’70s and early ’80s. While people like Sally Potter, Lizzie Borden and Marleen Gorris were dissecting and reformulating the ways […]
A while back, I signed up with BlogCritics. The idea was that writing regular reviews for them would keep me from getting lazy; in addition, cross-linking with my blog would, I hoped, boost traffic for my own site. But I’ve only posted four reviews with them since February, while keeping up a regular weekly schedule […]
In the 1960s several factors came together to change the way American politics was both played and perceived, and the journalist Theodore H. White played an important role in the second part of that equation. With his Pulitzer Prize-winning book The Making of the President 1960, he brought the processes of presidential electoral politics out […]