Olive Films’ Signature edition of Don Siegel’s Invasion of the Body Snatchers (1956) does full justice to this classic of 1950s sci-fi/horror with an excellent transfer and a rich collection of extras, which include two commentaries and a stack of featurettes about the film, director Siegel and producer Walter Wanger.
Despite continuing rumblings about the demise of movies-on-disk, numerous companies continue to produce excellent editions on disk of a vast range of movies covering the entire history of cinema. Once again in 2018 there were far more releases than even an obsessive viewer could keep up with.
Recently viewed Blu-rays from Severin films include a range of Italian horrors featuring zombies, necrophilia and Lovecraftian gods, a revisionist vampire tale from the golden age of Ozploitation, and an unsettling experimental adaptation of a Lovecraft story from Sweden.
Claudio Simonetti’s Goblin ended their world tour with a dynamic show at Winnipeg’s Park Theatre on December 10, 2018, playing the entire score of Dario Argento’s Suspiria (1977) live, followed by more than an hour of Goblin’s greatest horror themes.
Classic television horror, geriatric action and an off-the-wall Canadian horror from Kino Lorber and Severin; five recent disks present thrills, chills, strained comedy and some problematic post-colonial politics.
Winnipeg filmmaker and author Caelum Vatnsdal spent several years researching the life of everyone’s favourite ubiquitous supporting actor Dick Miller and the resulting biography is every bit as entertaining as the roles Miller has played through six decades in the movie business.
I’ve recently sampled a broad range of movies from Arrow Video, from Japanese classics to obscure gialli, recent horror and an original and disturbing Mexican movie which combines marital drama, dark eroticism and a very disturbing alien.
More brief notes on recent random viewing choices; another mixed bag of classic fantasy, generic thrillers, dramas drawn form real life, spectacular martial arts and gritty war action, and a scattershot, off-the-wall satire by “the world’s worst living director”.