I’ve been reading, and appreciating, the DVD Savant on-line column for years. Apart from Glenn Erickson’s almost terrifyingly prolific output, it’s the scope of his work that impresses. He writes in an accessible, conversational style, and yet avoids the superficiality which a lot of web-based criticism is prone to. He has a remarkable knowledge of […]
French filmmaker Francoise Romand debuted in 1986 with a remarkable documentary called Mix-Up ou meli-melo. In telling the story of two English families whose lives were tangled by fate when their babies were inadvertently switched at birth, Romand used a number of striking visual and structural techniques to evoke the psychological and class elements of […]
There’s still no recognizable pattern to my DVD watching, but maybe I shouldn’t worry about it. If my viewing became more systematic, it would probably start to feel like work. I finally finished getting through the British TV series Department S, which I mentioned a while back. It never really improved, though perhaps the production […]
A while back, I signed up with BlogCritics. The idea was that writing regular reviews for them would keep me from getting lazy; in addition, cross-linking with my blog would, I hoped, boost traffic for my own site. But I’ve only posted four reviews with them since February, while keeping up a regular weekly schedule […]
Rapidly developing video technologies are altering not just our expectations but also our responses to the experience of watching movies. Blu-ray, hi-def TVs, the digital technologies which are used more and more in production – all have helped to create particular standards which many viewers now apply to virtually everything they watch. A lot of […]
Christopher Smith is an English director whose first feature, Creep (2004), was an attempt to emulate Gary Sherman’s Raw Meat (aka Deathline, 1973) and Douglas Cheek’s C.H.U.D. (1984); it had a woman trapped overnight in the London Underground, pursued by the mutant remnants of some medical experiments in a hidden lab, but it never quite […]
If anything, my viewing seems to be becoming more random these days. I mean to apply some order to what I watch – to view the new Silent Naruse set from Criterion Eclipse, or the Columbia Sam Fuller Collection from two years ago which I recently got hold of – but there are so many […]
I first encountered the actor Shintaro Katsu back in 2002 when I picked up the first two movies in his long, defining series about the blind masseur/master swordsman Zatoichi. Although Katsu had a long and prolific career (IMDb lists 119 titles in 35 years of acting), having made 25 features about Zatoichi between 1962 and […]
British television in the ’60s and ’70s was limited by a lack of money, a fact which resulted in certain distinctive characteristics. Most shows were shot in studio, on videotape, with quite obviously flimsy sets. These limitations forced creators to follow a theatrical, rather than cinematic, model; at their worst, these shows seemed like creaky […]
Back in the dark days before DVD, when elitists spent large sums on laserdisks because the quality was so superior to the ubiquitous VHS tapes of home video, the commentary track was born. This was a terrific innovation, enhancing the value of a movie by providing context and opinions from the actual filmmakers or from […]