I usually only have time to write once a week for this blog, and my occasional obligations to Blogcritics (i.e. the free review copies I get through them) have pushed me into the habit of doing reviews more often than more general posts about broader topics (which was what I actually anticipated when I started […]
Basil Dearden’s The Bells Go Down, which I wrote about last week, is just one of a number of disks I recently received from England. Maybe it’s a bit of nostalgia, but the past few years I’ve been digging back into British film – partly seeking out titles I have memories of from long ago, […]
Growing up in England during the late 1950s and early ’60s, my experience of British film was a mix of now-forgotten B-movies, coarse comedies (I loved the Carry On films, which seem all but unwatchable now), and occasional big productions (Zulu remains a vivid childhood memory). Hammer horror was tantalizingly out of reach, restricted to […]
Criterion’s Eclipse line has three general streams: to explore fringe genres, to introduce work by lesser known filmmakers, to present lesser known works by more familiar directors. The latest release, Masaki Kobayashi Against the System, falls into the third category, presenting three early works by the director of the three-part epic The Human Condition (1959-61, […]
Miklós Jancsó is one of the key figures of Hungarian cinema, but my first encounter with his work didn’t go well. In fact, when I saw the first two parts of his unfinished Vitam et Sanguinam trilogy at the 1981 Hong Kong International Film Festival, I so disliked them that I made no subsequent efforts […]
“Inspired by true events.” “Based on a true story” … audiences have had good reason to be skeptical about such claims at the start of a movie at least since The Texas Chainsaw Massacre (1974). And as Craig Zobel’s uncomfortably tense Compliance unfolds, the viewer may feel an increasing sense of disbelief … how could […]
There’s far more stuff in the world than any of us can ever have complete first-hand knowledge of, so we often have to rely on second- and third-hand information about things we haven’t yet encountered. This leads to a tendency to form opinions about things we actually know nothing about … and judging by a […]
Even with the tens of thousands of movies released on DVD since the format debuted in the late ’90s, vast amounts of film history remain untouched. Of course, home video has always been a commercial enterprise, the preservation and dissemination of history mostly a by-product. Companies with large back-catalogues of titles have been constantly faced […]
Two years after writing The Wild Bunch (1969), Walon Green teamed up with respected documentary producer David L. Wolper for one of the oddest films ever to win an Academy Award. The Hellstrom Chronicle (1971), although it got the Oscar for best documentary, isn’t actually a documentary at all … or at least it calls […]
I’ve been falling behind on my notes about what I’ve been watching, so I won’t be going into a lot of detail here, just making a few observations about some of the movies I saw in the past month. The Oxford Murders (Alex De La Iglesia, 2008) Spanish director Alex De La Iglesia has a […]