Even with the tens of thousands of movies released on DVD since the format debuted in the late ’90s, vast amounts of film history remain untouched. Of course, home video has always been a commercial enterprise, the preservation and dissemination of history mostly a by-product. Companies with large back-catalogues of titles have been constantly faced […]
My first encounter with Stanley Kubrick’s work came before I was ten years old. Sometime in the early ’60s, my parents took me to see Spartacus, probably at the Odeon in Chelmsford. For years afterwards, two things stuck with me: the gladiators training in a kind of cage and Jean Simmons, holding her baby, riding […]
In my rather long film-going life, I have often been out of sync with generally held opinions. I didn’t much like the Star Wars movies when they transformed popular culture, I found myself laughing at Titanic while surrounded in a crowded theatre by sniffling people who bought into it completely … So it doesn’t surprise […]
Of the two Scott brothers, I’ve always had a preference for Ridley. No doubt the writers of Cinema Scope would attribute this to my innate middle-brow pretensions, but I’ve never managed to grasp their argument for Tony’s superiority (editor Mark Peranson on Unstoppable: “it is the key Hollywood film of this typically weak quarter, thanks […]
Although Britain’s Hammer Films was first formed in the 1930s, initially in an attempt to expand a theatre chain into areas of production and distribution, only five films were made before the war – comedies and mysteries. Production resumed after the war with more comedies, mysteries and thrillers. It was 1953 before the company took […]
It was unfortunate that until the very end of his career, the Japanese director Kinji Fukasaku was known in North America mostly for his worst film: The Green Slime. This was an “international” production, shot in Japanese studios with an American and European cast, a very bad script and even worse special effects. But even […]