The essence of film noir: morality disappears in impenetrable shadows in Billy Wilder’s Double Indemnity (1944)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Fall 2023 viewing, part one
Pandemic viewing, Part Two
Andrei Tarkovsky’s Stalker (1979): Criterion Blu-ray review
Watching genre, in black-and-white
Comments