double-indemnity_14

The essence of film noir: morality disappears in impenetrable shadows in Billy Wilder’s Double Indemnity (1944)

The essence of film noir: morality disappears in impenetrable shadows in Billy Wilder’s Double Indemnity (1944)

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Blasts from the past

Oscar who?

Vinegar Syndrome summer binge, part one

Nelson Pereira dos Santos’ ethnographic satire:
How Tasty Was My Little Frenchman (1971)

Don Shebib’s Canadian working class poetry: Goin’ Down the Road (1970) and its sequel