double-indemnity_14

The essence of film noir: morality disappears in impenetrable shadows in Billy Wilder’s Double Indemnity (1944)

The essence of film noir: morality disappears in impenetrable shadows in Billy Wilder’s Double Indemnity (1944)

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Blasts from the past

The good and the bad of Warner Brothers

Jim Thompson’s “A Christmas Carol”

Alfred Hitchcock’s The Birds (1963)

Preliminary Notes on Twin Peaks 2017