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Gary Cooper's no-nonsense American pragmatism runs up against Claudette Colbert's Decadent European sophistication in Ernst Lubitsch's Bluebeard's Eighth Wife (1938)

Gary Cooper’s no-nonsense American pragmatism runs up against Claudette Colbert’s Decadent European sophistication in Ernst Lubitsch’s Bluebeard’s Eighth Wife (1938)

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