La Malinche (María Luisa Zea) realizes that she and her son have been betrayed in Ramon Peon’s La llorona (1933)
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Marcel Pagnol’s Marseilles Trilogy (1931-36): Criterion Blu-ray review
Rethinking Kane and Chain Saws
Guest post: David Lean’s The Sound Barrier (1952)
Cauldron Films, round three
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