Working-class Millie (Jenny Twigge) displays the results of a beating in Gerry O’Hara’s The Brute (1977)
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Jodorowsky’s Dune: the triumph of imagination
Shameless exploitation
Gerry O’Hara’s The Brute (1977)
The subjectivity of watching: Bertrand Tavernier’s Death Watch (1980)
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