Joan (Sylvia Sidney) is attracted to Jerry (Frederic March)’s casually offhand attitude in Dorothy Arzner’s Merrily We Go to Hell (1932)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Year End 2019
Music video uploaded
Michael Curtiz’s The Breaking Point (1950): Criterion Blu-ray review
The transition to sound: Arthur Robison’s The Informer (1929)
Comments