Carroll Baker doesn’t know what she’s getting into in Umberto Lenzi’s A Quiet Place to Kill (1970)
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The resurrection of Clive Barker’s Nightbreed (1990/2014)
Indicator’s Hammer Vol. 4: Faces of Fear
Three recent losses
Nelson Pereira dos Santos’ ethnographic satire: How Tasty Was My Little Frenchman (1971)
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