Criterion release a subtle masterpiece of Spanish cinema in Luis Garcia Berlanga’s The Executioner (1963), a dark critique of life under the Franco regime disguised as a domestic comedy.
I’ve recently been dipping into the ’60s and ’70s with two Criterion Blu-rays of major works by Orson Welles, a couple of Robert Altman’s signature titles, and a new J.G. Ballard adaptation from Ben Wheatley.
Recent viewing ranges from smart B-movie horror to magic realist-inflected neo-realism, with excellent disks from Blue Underground, Shout! Factory and Arrow Video.
Two recent disks present transgressive sexuality from very different perspectives: Christian Marquand’s Candy is a glossy big budget production packed with star power, while Curt McDowell’s Thundercrack! is a scrappy underground epic.
Another eclectic selection from my recent viewing, from an old fondly remembered BBC sci-fi series to an unsettling French psychological thriller, from a nasty John Frankenheimer thriller to a pair of atypical Rossellini features striving to break out of the confines of neorealism.
A friend who teaches film to university students occasionally offers a course in comedy. He’d originally thought it would be fun, but was quickly disillusioned. Of course, comedy, more than drama, tends to be specific to its context as jokes are frequently dependent on shared cultural referents. So these student fans of Adam Sandler, American […]
When I mentioned to a friend that I was writing these posts about one-off sci-fi movies by mainstream filmmakers, he pointed out that I’d left Norman Jewison off the list. I readily pleaded guilty, my only excuse being that I’d originally made the list off the top of my head and hadn’t bothered to follow […]
As usual I seem to be out of sync with the current pop culture climate – of the most recent movies I’ve gone out to see, I enjoyed a colossal box office bomb, had serious reservations about the year’s biggest success to date, and most appreciated a low budget genre movie by a first-time director. […]
Anthony Burgess wrote his short novel A Clockwork Orange in 1962 as a way of coming to terms with the rape of his first wife. It may seem odd then that the book takes the first person point of view of Alex, a 14-year-old boy, who commits numerous crimes, including rape and murder. In addition, […]