2016 was an impressive year for movies on disk, with a wide variety of new and classic releases, prestige productions and exploitation, and some interesting rediscoveries … too many to pick just a handful of “bests”.
Year-end ruminations: 2016
Tag: Restored Films
Marlon Brando’s One-Eyed Jacks (1961)
Criterion’s Blu-ray release of One-Eyed Jacks is one of the disk highlights of the year, its restored image and sound confirming this great western’s stature. Marlon Brando’s sole directing effort is a key transitional moment between the traditional western and the national myth it represented and the modern deconstruction of that myth by filmmakers like Sam Peckinpah and Arthur Penn.
Criterion Blu-ray review:Luis Garcia Berlanga’s The Executioner (1963)
Criterion release a subtle masterpiece of Spanish cinema in Luis Garcia Berlanga’s The Executioner (1963), a dark critique of life under the Franco regime disguised as a domestic comedy.
Discovery and loss: Pierre Etaix 1928-2016
The French comic filmmaker Pierre Etaix, whose work spanned the decade of the ’60s only to vanish for 40 years before being rediscovered and restored in 2010, has died at the age of 87.
Criterion Blu-ray review: Orson Welles’ The Immortal Story (1968)
The Immortal Story (1968), Orson Welles’ last completed fiction feature, adapted from an Isak Dinesen story, gets a gorgeous Blu-ray release from Criterion with a collection of substantial supplements providing background and context for the director’s first colour feature, which is also the most erotic film he made.
Criterion Blu-ray review: Wim Wenders’ The Road Trilogy (1974-76)
In The Road Trilogy, one of their finest releases in some time, Criterion showcase three key early works by Wim Wenders, one of the finest filmmakers of the New German Cinema.
The revival of Flipside
After a two year hiatus, the BFI has revived the Flipside series with three notable releases: Val Guest’s musical satire Expresso Bongo, Edmond T. Greville’s juvenile delinquent exploitation movie Beat Girl, and Jose Ramon Larraz’s “lost” horror film Symptoms.
The art of silent film: Anthony Asquith’s Shooting Stars (1928)
It’s remarkable that it’s still possible to discover a previously unknown yet major film from the silent era, but the BFI’s new release of Anthony Asquith’s first feature, Shooting Stars (1928) is a revelation; a fresh, self-aware film about filmmaking and the intersection of real and imaginary lives.
Recent discoveries on disk
Three fascinating rediscovered movies suggest once again that the demise of DVD and Blu-ray isn’t happening anytime soon, even if the major distributors are shying away from the format; passionate smaller boutique companies are keeping it alive for those of us who who still care.
Criterion Blu-ray review: Edward Yang’s A Brighter Summer Day (1991)
Criterion make available Edward Yang’s legendary, little-seen masterpiece of the New Taiwanese Cinema, A Bright Summer Day, in a superb 2-disk extras-rich Blu-ray edition.
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