More brief comments on recent horror viewing.
Another mixed bag of exploitation movies from Arrow Video featuring sleazy killers, unhealthy family feelings, nuclear war, vigilantes, tattoos and giant cockroaches on Mars.
Another seemingly random collection of movies, this time including some cheap exploitation, cheesy fantasy, horror and noir. I revisit an old favourite, re-evaluate a low-budget Canadian film from the ’70s, and finally catch up with a couple of movies I’ve wanted to see for decades.
Social isolation and “working from home” mean a lot of time for movie-watching … and the volume far outstrips my ability to say anything substantive about many of the films I do watch: so here I mostly just acknowledge what I’ve been viewing in the past 4-6 weeks. Part four of four.
The usual year-end round-up – not necessarily the best movies or disks, but some of the ones I most enjoyed, from high art to entertaining trash. The sheer range of what’s available should lay to rest any lingering rumours about the demise of physical media.
Among recently viewed Arrow Blu-rays are a classic Italian political satire, a scrappy independent from Dayton, Ohio, a dark children’s fantasy, an end-of-the-world romance, and a violently stylish Japanese series of women-in-prison movies.
The late Peter Fonda briefly interrupted his acting career in the 1970s by directing three features, only the first of which is recognized now as a classic: The Hired Hand (1971). But the second, a no-budget science fiction movie called Idaho Transfer (1973), deserves to be rediscovered both for its sparely poetic treatment of time travel and its prescient vision of imminent ecological catastrophe. Unfortunately, it can now only be viewed as a lo-res, open-matte YouTube video.
Another eclectic week – Italian gore from Joe D’Amato, regional American exploitation, a pair of Amicus horrors from director Roy Ward Baker, a documentary about Dark Shadows creator Dan Curtis, and a glorious restoration of the Russian folk-horror Viy.
MVD Entertainment Group’s Blu-ray release of Ryan Schifrin’s ’80s horror homage Abominable (2005/2018) offers an exemplary treatment of a niche title, with excellent technical treatment and stacked with extras which honour the filmmaker’s respect for the genre.
Two Italian classics – Mario Bava’s Kill, Baby … Kill! (1966) and Pupi Avati’s Zeder (1983) – and an imaginative new movie – David Lowery’s A Ghost Story (2017) – offer differing thematic takes on survival after death.