Giallo | Cagey Films

Movies and reality intersect in two recent releases

Posted on January 24, 2024January 22, 2024 by Kenneth George Godwin

The sociologist (Flavio Bucci) grasps the metaphysical mystery in Giuliano Montaldo's Closed Circuit (1978)

Our relationship to movies is complex; we know that we’re watching illusions, yet the intellectual and emotional responses we experience are very real. Movies give us access to a seemingly infinite range of experiences which take us out of out immediate lives. Two recent releases delve into this phenomenon in visceral ways — Giuliano Montaldo’s Closed Circuit (1978) addresses the metaphysics of movie watching with humour and suspense, while Charlie Victor Romeo (2013) provides disturbing access to an aspect of real life we might prefer not to think about: the moments during which flight crews try to deal with catastrophic technical failures immediately preceding air crashes.

Summer viewing, 2023: Vinegar Syndrome

Posted on September 13, 2023September 10, 2023 by Kenneth George Godwin

Cynthia Rothrock is prepared to kick ass in Godfrey Ho's Undefeatable (1983)

Another assortment of horror, fantasy, murder, madness and general mayhem from Vinegar Syndrome.

Re-evaluating Italian horrors on Blu-ray from 88 Films

Posted on March 29, 2023March 28, 2023 by Kenneth George Godwin

Model Alice Norton (Femi Benussi) makes the mistake of accepting the gift of a bridal gown from John Harrington (Stephen Forsyth) in Mario Bava's Hatchet for the Honeymoon (1970)

Collector’s Editions from 88 Films provide an opportunity to re-evaluate two familiar Italian horror movies. My opinion of Pupi Avati’s creepy Zeder (1983), always favourable, has been confirmed, while I now have a new appreciation of Mario Bava’s Hatchet for the Honeymoon (1970), which I’d always seen as a minor and not entirely successful addition to his filmography.

Recent Severin viewing

Posted on March 22, 2023December 15, 2023 by Kenneth George Godwin

Alice Campos (Florinda Bolkan) searches for her own past in Luigi Bazzoni’s Le Orme (Footprints on the Moon [1975])

It’s taken me a while to work through some of the many Severin box sets that have been piling up over the past year – the folk horror set All the Haunts Be Ours, House of Psychotic Women and the latest set of Italian movies Violent Streets: The Umberto Lenzi/Tomas Milian Collection – along with some 4K special editions of movies by Dario Argento and Alex de la Iglesia.

Wrapping up 2022

Posted on January 4, 2023January 4, 2023 by Kenneth George Godwin

Countess Erzebeth Bathory (Lucia Bosé) discovers that virgin's blood will keep her young in Jorge Grau's Blood Ceremony (1973)

Hunkered down in the depths of winter, I spent a lot of December immersed in genre movies from around the world – it’s a dizzying mix of violence, perversion and unexpected cinematic delights.

Brief Notes, December Part One

Posted on November 30, 2022November 29, 2022 by Kenneth George Godwin

Dr. Ted Rampion (Keiron Moore) descends into a volcano with an atom bomb in Andrew Marton's Crack in the World (1965)

A few notes about disks from a couple of companies I’ve previously had little experience with – 88 Films and 101 Films, both from the UK – plus three box sets from Arrow.

Summer grab-bag, part four: (almost) all the rest

Posted on September 21, 2022March 11, 2024 by Kenneth George Godwin

A quick survey of four dozen disks watched over the summer months.

Summer grab-bag, part one

Posted on August 3, 2022August 1, 2022 by Kenneth George Godwin

An attempted robbery becomes a bloodbath in Javier Elorrieta's Night of Rage (1985)

As usual, there’s no coherent pattern to what I spend my time watching. In the past few months, I given my overtaxed attention to quite a few movies from the ’70s and ’80s – British sex comedies and cop movies, Italian gialli, French and Spanish thrillers, Chinese martial arts movies and an Australian superhero musical – plus a pair of recent Korean action movies and two ultra-low-budget do-it-yourself movies from the ’90s.

Miscellaneous May 2022 viewing

Posted on June 8, 2022December 11, 2022 by Kenneth George Godwin

Would-be actress Stella (Susan Ermich) enrols in a prestige acting school in Andreas Marschall's Masks (2011)

Bertrand Tavernier’s epic eight-part documentary Journeys Through French Cinema (2017) offers a personal and idiosyncratic history rooted in the filmmakers personal passions; Enzo G. Castellari’s The Big Racket (1976) and The Heroin Busters (1977) showcase the cynical, violent action of Italian genre movies of the ’70s; Andreas Marschall turns homage into effective horror in the retro-giallo Masks (2011); and Puloma Basu and Rob Hatch Miller’s documentary Other Music (2019) captures an experience all-but-lost today with their account of the final days of a great independent record store in New York City.

Winter viewing 1: Vinegar Syndrome

Posted on April 6, 2022April 5, 2022 by Kenneth George Godwin

Detective Linda Masterson (Cynthia Rothrock) investigates a killer martial artist in Kelly Makin's Tiger Claws (1991)

A long cold winter, a working-from-home schedule and pandemic-induced malaise means I’ve been watching a lot of undemanding genre movies over the past few months. One of my primary sources in the past couple of years has been Vinegar Syndrome, a company whose dedication to unearthing obscure, often forgotten genre movies equals my own passion for watching them. Although by no means a complete account of my VS viewing, here are brief notes on two dozen titles.

Tag: Giallo