Perverse Families & Dysfunctional Kids

Girly (Vanessa Howard)'s eroticized immaturity is used to trap unsuspecting men in Freddie Francis' Mumsy, Nanny, Sonny & Girly (1970)

While they form one of the main building blocks of society, families are often mysterious when viewed from the outside, providing opportunities for mystery, suspense and horror since we began telling ourselves stories. Outsiders who penetrate the strange membrane between community and family may be faced with codes and rituals which can turn dangerous … as in four recently viewed movies: Curtis Harrington’s Night Tide (1961) and Games (1967), Freddie Francis’ Mumsy, Nanny, Sonny & Girly (1970) and Ted Post’s The Baby (1973).

Recent miscellaneous viewing, part two

Charles Bronson as real-life career criminal Joe Valachi in Terence Young's The Valachi Papers (1972)

More random viewing: two obscure independent films from the BFI, Margaret Tait’s poetic Blue Black Permanent (1992) and Maurice Hatton’s gritty fake-umentary about the film business, Long Shot (1977); and three from Twilight Time – George Sluizer’s interesting Americanization of his existential thriller The Vanishing (1993), Terrence Young’s straightforward fact-based crime saga The Valachi Papers (1972), and D.W. Griffith’s monumental but deeply troubling Birth of a Nation (1915).