Time was – longer ago than I care to contemplate – I would have devoured a movie like Zoltan Korda’s The Four Feathers (1939) as nothing more than a thrilling adventure that appealed to a boy’s imagination. Watching it now in Criterion’s lush new edition, I found various parts of myself in conflict for the […]
Dark Of The Sun (Jack Cardiff, 1968) The great cinematographer Jack Cardiff, responsible for the dazzling imagery of Michael Powell’s A Matter of Life and Death (1946), Black Narcissus (1947) and The Red Shoes (1948), and Albert Lewin’s Pandora and the Flying Dutchman (1951), among many others, was also a director. One of my earliest […]
There’s still no recognizable pattern to my DVD watching, but maybe I shouldn’t worry about it. If my viewing became more systematic, it would probably start to feel like work. I finally finished getting through the British TV series Department S, which I mentioned a while back. It never really improved, though perhaps the production […]
Guest blogger Howard Curle follows up his previous account of William K. Everson’s class on British Cinema at New York University with an in-depth look at one of the movies Everson introduced him to: John Baxter’s Love on the Dole (1941). John Baxter & Love on the Dole (1941) By Howard Curle One of the […]
If I’m in a room talking to someone and there happens to be a bookcase nearby, or a shelf of DVDs, I become easily distracted from the conversation as I try to read titles to get some idea of the other person’s tastes and interests. A similar thing happens when I watch a movie: if […]
Rapidly developing video technologies are altering not just our expectations but also our responses to the experience of watching movies. Blu-ray, hi-def TVs, the digital technologies which are used more and more in production – all have helped to create particular standards which many viewers now apply to virtually everything they watch. A lot of […]
Sad news this weekend. The inimitable Googie Withers has died at the age of 94 after a long and varied career in film, theatre and television. Although she worked with directors like Alfred Hitchcock (a small part in The Lady Vanishes [1938]), Michael Powell (a member of the resistance in One of Our Aircraft Is […]
When my friend Howard Curle offered to write a guest post for my blog, I was happy to accept. Howard has taught film here in Winnipeg for many years, initially at the University of Manitoba and now at the University of Winnipeg, and we occasionally get together to watch and discuss movies from my collection […]
Christopher Smith is an English director whose first feature, Creep (2004), was an attempt to emulate Gary Sherman’s Raw Meat (aka Deathline, 1973) and Douglas Cheek’s C.H.U.D. (1984); it had a woman trapped overnight in the London Underground, pursued by the mutant remnants of some medical experiments in a hidden lab, but it never quite […]
British TV has always been primarily a writer’s medium; since the ’50s, the biggest stars have tended to be the writers, with writers’ names attached possessively to projects. Television production was often built around writers such as Alan Bennett, Alan Bleasdale and Dennis Potter, who was one of the biggest, with each of his new […]