Howard Curle recently called my attention to an interesting on-line presentation posted by the San Francisco Silent Film Festival about a number of early films, many by Georges Méliès, which have been reconstituted from flipbooks from the late 1800s in which a series of photos printed from the films create a simulation of cinematic movement. In this guest post, Howard provides an introduction to this fascinating discovery.
Guest contributor Howard Curle examines The Net (1953), a little-known film by Anthony Asquith which combines elements of science fiction and Cold War thriller with a drama about a troubled marriage. Howard finds stylistic links which hearken back to Asquith’s brilliant silent films from the late ’20s.
Guest blogger Howard Curle follows up his previous account of William K. Everson’s class on British Cinema at New York University with an in-depth look at one of the movies Everson introduced him to: John Baxter’s Love on the Dole (1941). John Baxter & Love on the Dole (1941) By Howard Curle One of the […]
When my friend Howard Curle offered to write a guest post for my blog, I was happy to accept. Howard has taught film here in Winnipeg for many years, initially at the University of Manitoba and now at the University of Winnipeg, and we occasionally get together to watch and discuss movies from my collection […]