Ozu Yasujiro’s melancholy social comedy The Flavor of Green Tea Over Rice (1952), which reflects major shifts in Japanese life in the post-war period, receives an excellent release from the Criterion Collection.
This week, I revisited several classic horror and sci-fi movies, plus a few more recent exploitation movies.
Guest contributor Howard Curle examines The Net (1953), a little-known film by Anthony Asquith which combines elements of science fiction and Cold War thriller with a drama about a troubled marriage. Howard finds stylistic links which hearken back to Asquith’s brilliant silent films from the late ’20s.
Three Blu-rays from Twilight Time span the espionage genre from World War Two to the fall of Communism in the late 1980s, each mixing personal drama with larger political issues in their own distinct ways.
Criterion once again showcases the prodigious talent of French writer and filmmaker Marcel Pagnol with their Blu-ray release of The Baker’s Wife (1938), considered to be his best film.
Criterion’s exemplary Blu-ray release of Alan Pakula’s second feature, Klute (1971), offers a superb 4K scan from the original negative and extensive extras which highlight the film’s importance in the evolution of American cinema at a particularly turbulent time in both politics and popular culture, with a particular emphasis on Jane Fonda’s development as both actor and activist.
Binge viewing can for some reason make movies you don’t really like individually seem entertaining when watched back-to-back … case in point: the Transformers series.
Another eclectic week – Italian gore from Joe D’Amato, regional American exploitation, a pair of Amicus horrors from director Roy Ward Baker, a documentary about Dark Shadows creator Dan Curtis, and a glorious restoration of the Russian folk-horror Viy.
Although a very prolific director (of mostly television) from the 1950s to the ’90s, Paul Wendkos isn’t a well-known name today, though at his best he had a real flair for unsettling visuals which suited the burgeoning paranoia of the ’70s. That style is well showcased in The Brotherhood of the Bell (1970) and The Mephisto Waltz (1971).
Some more brief comments on recent viewing: classic horror, Italian crime action from Umberto Lenzi, gender-bending art from France and exploitation from Australia, the U.S. and the Philippines.