Sergei Urusevsky’s signature shot, framing a character in silhouette against a dramatic sky in Mikhail Kalatozov’s I Am Cuba (1964)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Michael Apted’s documentary legacy
Genre On Disk, part one
Recent releases from the BFI, part two
Criterion Blu-ray review: Kenji Mizoguchi’s The Story of the Last Chrysanthemum (1939)
Comments