Sergei Urusevsky’s signature shot, framing a character in silhouette against a dramatic sky in Mikhail Kalatozov’s I Am Cuba (1964)
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The subjectivity of watching: Bertrand Tavernier’s Death Watch (1980)
Recent Viewing part 1
Early winter viewing, part 2
Steve McQueen’s Small Axe (2020): Criterion Blu-ray review
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