A metaphorical dead-end turns literal in Roland Klick’s Deadlock (1970)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
My adventure with Jack Nance on the fringes of Hollywood
The subjectivity of watching: Bertrand Tavernier’s Death Watch (1980)
Theo Angelopoulos (1935-2012)
Summer grab-bag, part one
Comments