Guilt is already assumed; the trial is only to determine the punishment in Hirokazu Kore-eda’s The Third Murder (2017)
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(Faulty) Memory and the formation of a passion for movies
More genre viewing – late Fall 2018: Part Two
The 5th Hong Kong International Film Festival, part six
Elia Kazan’s A Face in the Crowd (1957): Criterion Blu-ray review
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