Guilt is already assumed; the trial is only to determine the punishment in Hirokazu Kore-eda’s The Third Murder (2017)
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When Horror Came to Shochiku: from absurd to apocalypse …
Criterion Blu-ray review: Edward Yang’s A Brighter Summer Day (1991)
Revisiting some old favourites
Exploring the nature of artistic inspiration: Alexandre O. Philippe’s Lynch/Oz (2022)
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