Diagram of the visual dynamics of gendered power in cinema in Nina Menkes’ Brainwashed: Sex-Camera-Power (2022)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Criterion Blu-ray review: The Honeymoon Killers (1969)
Recent Viewing: April and May, part two
Another eclectic week
Googie Withers (1917-2011)
Comments