Echoes of Mario Bava’s Black Sunday in the first appearance of Selma (Rita Macedo) in Rafael Baledón’s The Curse of the Crying Woman (1963)
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Can it really be that long ago?
Ernst Lubitsch’s Cluny Brown (1946): Criterion Blu-ray review
Recent releases from the BFI, part two
John Murray Anderson’s King of Jazz (1930): Criterion Blu-ray review
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