The police get rough with a suspect they don’t even believe is guilty in Román Viñoly Barreto’s El vampiro negro (1953)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Genre On Disk, part two
Elia Kazan’s A Face in the Crowd (1957): Criterion Blu-ray review
Film(ed) poetry: The Song of Lunch (2010)
Thorold Dickinson
Comments