The police get rough with a suspect they don’t even believe is guilty in Román Viñoly Barreto’s El vampiro negro (1953)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Death and madness from Indicator
My movie map of Winnipeg — part one
Race, class and crime in New York
“Folk Horror”
Comments