Rambo (Tomas Milian) takes on a gang of kidnappers in Umberto Lenzi’s Syndicate Sadists (1975)
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“Art films” and the nature of boredom
The subjectivity of watching: Bertrand Tavernier’s Death Watch (1980)
Criterion Blu-ray review: Ride the Pink Horse (1947)
Universal Noir #1 from Indicator
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