Ibrahim (Makhouredia Gueye) gets comfort from the formal trappings of religion in Ousmane Sembene’s Mandabi (1968)
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Michael Dowse’s Goon: Made in Winnipeg
An unforeseen drawback of digital projection
Antonio Pietrangeli’s I Knew Her Well (1965): Criterion Blu-ray review
Action and politics in ’70s thrillers
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