Sergeant Howie (Edward Woodward) gets his first look at the fate awaiting him in Robin Hardy’s The Wicker Man (1973)
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Alex Cox’s Walker (1987): Criterion Blu-ray review
Jean Rouch, Edgar Morin, cinema verite and the problem of “actuality”
A frustrating evening
The subjectivity of watching: Bertrand Tavernier’s Death Watch (1980)
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