The silent Karim (Marie Devereux) enjoys the spectacle of torture in Terence Fisher’s The Stranglers of Bombay (1959)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
The alpha and omega of Walter Hill
Dorothy Arzner’s Merrily We Go to Hell (1932): Criterion Blu-ray review
Cinefantastique: nostalgia for print
Terence Fisher and science fiction
Comments