With all his attention on work, Aimable (Raimu) is unaware of Aurélie (Ginette Leclerc)’s dissatisfaction in Marcel Pagnol’s The Baker’s Wife (1938)
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Frank Borzage’s History is Made at Night (1937): Criterion Blu-ray review
The transition to sound: Arthur Robison’s The Informer (1929)
Dario Argento in decline
B-horror nostalgia: Ryan Schifrin’s Abominable (2005/2018)
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