The model effects by Bryan Langley, Bill Warrington and Albert Whitlock make impressive use of a limited budget in Anthony Asquith’s The Net (1953)
Photo: Janine Tschuncky
Kenneth George Godwin, Film Editor
I have been editing a wide range of film and video projects, both documentary and drama, for two-and-a-half decades. I started at the Winnipeg Film Group, cutting on Steenbeck 16mm flatbeds, adopted Avid in 1995, and have used FinalCut Pro quite extensively over the past ten years. Projects I have worked on have screened – and won awards – at festivals around the world.read more >>
Indexes
Recent Posts
Full Archive
Blogroll
- BFI Screenonline
- BFI YouTube Channel
- Blogcritics
- Cinephile
- DVD Savant
- DVDBeaver
- Edition Filmmuseum
- Greenbriar Picture Shows
- Jonathan Rosenbaum
- Midnight Eye
- Observations on Film Art
- Self-Styled Siren
- Senses of Cinema
- Shadowplay
- The Criterion Collection
- The Digital Fix
- The Friends of Marty Melville
- The Wild Eye
- Video WatchBlog
