Hammer pushes the boundaries of censorship at the end of the 1950s in Terence Fisher’s The Man Who Could Cheat Death (1959)
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They don’t make ’em like that any more …
Viewing notes, March 2017: Part Two
Luchino Visconti’s The Damned (1969): Criterion Blu-ray review
Alain Resnais 1922-2014
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