Hammer pushes the boundaries of censorship at the end of the 1950s in Terence Fisher’s The Man Who Could Cheat Death (1959)
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Paul Morrissey’s Gothic horrors
William Wyler’s The Heiress (1949): Criterion Blu-ray review
Blu-ray Review: Harold Lloyd’s The Freshman (1925)
Jean Rouch, Edgar Morin, cinema verite and the problem of “actuality”
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