Mirrors apparently signify thematic depths in Luca Guadagnino’s Suspiria (2018)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Life and Death in the films of George A. Romero
Film(ed) poetry: The Song of Lunch (2010)
Viewing notes, March-April 2015: part one
Criterion Blu-ray review: Jan Troell’s The Emigrants (1971) and The New Land (1972)
Comments