The quintessential giallo image: the killer as an ominous, abstract figure in Dario Argento’s Deep Red (1975)
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Guest post: A Weimar Cinema Revelation: Harbour Drift (1929), part two
Lionel Rogosin: On the Bowery (1956)
Jean-Pierre Melville’s Le cercle rouge (1970): Criterion Blu-ray review
Stanley Kubrick 7: The Shining (1980)
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