Criterion’s new Blu-ray of George A. Romero’s Night of the Living Dead (1968) affords this scrappy, independent production the high degree of respect it has earned not only as one of the key American films of the 1960s, but as a work which almost single-handedly redefined the horror genre.
Severin Films recent Blu-ray special edition of Robert S. Baker and Monty Berman’s Jack the Ripper (1959) is ambitious but compromised; the atmospheric horror film is presented in three different versions, all of which have serious issues with the transfers (print damage in one case and incorrect aspect ratios in the other two). More satisfying, technically and creatively, is Severin’s Blu-ray edition of Richard Stanley’s typically idiosyncratic documentary The Otherworld (2013).
In his early work, Sydney Pollack explored various genres from a distinctly literary perspective before becoming a maker of prestige, middlebrow Hollywood entertainments; excellent Blu-ray presentations of his best features – Castle Keep (1969), They Shoot Horses, Don’t They? (1969) and Jeremiah Johnson – reveal a promise not entirely fulfilled in a long career.